The Artistic Traditions of The Iranian and Chinese Cultures In The Formation Of The Art Of Transoxiana In The Era Of The Temurids
Keywords:
Timurids, Chinese Art, Iranian Art, Transoxiana, Miniature, Synthesis, Oriental Art
Abstract
This article is devoted to the artistic traditions of the Iranian and Chinese cultures in the formation of the art of Transoxiana in the Temurid era. The article examines the formation of Temurid art as an object and subject of study in Western European science, in the works of Russian researchers and researchers of Uzbekistan. In addition, the dialogue of cultures in the art of the Temurid era was studied on the basis of miniature painting. The synthesis of artistic traditions in the types of decorative and applied art of the Temurid era is also considered. there are many points of contact in aesthetics, the goals and objectives of miniature painting, the training of masters and the subject of miniatures. Thus, the art of the Temurid era was the result of a dialogue between cultures of various artistic traditions that were present through cultural and food exchange.
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M. Şahbaz, “The Mourning Tradition in The Timurids,” *Milli Folk.*, vol. 134, pp. 39–49, 2022.
J. Kęsik, “Documenting the geometry of large architectural monuments using 3D scanning – the case of the dome of the Golden Mosque of the Tillya-Kori Madrasah in Samarkand,” *Digit. Appl. Archaeol. Cult. Herit.*, vol. 22, 2021, doi: 10.1016/j.daach.2021.e00199.
N. Pienaru, “The timurids and the Black Sea,” *East Cent. East. Eur. Middle Ages, 450-1450*, vol. 58, pp. 113–145, 2020, doi: 10.1163/9789004422445_007.
A. V. Parunin, “The political history of the golden horde in 1419-1427,” *Zolotoordynskoe Obozr.*, vol. 7, no. 3, pp. 434–460, 2019, doi: 10.22378/2313-6197.2019-7-3.434-460.
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Гюль Э. Диалог культур в искусстве Узбекистана. Античность и Средневековье. Ташкент: Print-S; MirInform, 2005 г.
Гасанзаде Д. Зарождение и развитие тебризской миниатюрной живописи в конце ХШ - начале XV веков. - Баку, 1999 г.
Ремпель Л.И. Эпос в живописи Средней Азии. // Сб. ст. Из истории живописи Средней Азии. Традиции и новаторство. Под ред. Г. Пугаченковой. - Т., 1984 г.
Акилова К. К проблеме общности духовных поисков в миниатюре Востока и творчестве китайских художников-литераторов.
Назарли М. Д. Два мира восточной миниатюры. М., 2006 г.
Торчинов Е.А. Пути философии Востока и Запада: познание запредельного. — СПб.: Азбука-классика, 2005 г.
Духовная культура Китая: энциклопедия. Т. 6 (дополнительный) / Гл. ред. M.Л. Титаренко. — М.: Вост. лит., 2010.
Вэнь У. Живопись и каллиграфия Китая. – Днепропетровск: ЮНIКОН ЛТД, 2004 г.
Завадская Е.В. Эстетические проблемы живописи старого Китая. – М.: Искусство, 1975 г.
Рахимова З.И. Искусство рукописной книги и книжной миниатюры Востока. Т., 2022 г.
Published
2024-10-10
How to Cite
Bakhrieva Shakhlo Karim Qizi. (2024). The Artistic Traditions of The Iranian and Chinese Cultures In The Formation Of The Art Of Transoxiana In The Era Of The Temurids. CENTRAL ASIAN JOURNAL OF ARTS AND DESIGN, 5(4), 107-110. Retrieved from https://www.cajad.centralasianstudies.org/index.php/CAJAD/article/view/502
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Articles
