Manifestations of Dystopia in Contemporary Movie Poster Design

Hasan Falih  Hasan; Nsiyf Jassem  Mohammed

Hasan Falih Hasan Department of Graphic Design, College of Fine Arts, University of Baghdad, Iraq
Nsiyf Jassem Mohammed Department of Graphic Design, College of Fine Arts, University of Baghdad, Iraq

Keywords: Manifestations, Dystopia, Design, Cinematic Poster, Contemporary

Abstract

Dystopia frequently manifests in various aspects of life, notably in graphic design for film posters, a domain ripe for exploring dystopian themes. This research highlights the theoretical importance of developing awareness and understanding of dystopian visual messages in movie posters, offering a deeper comprehension of how these themes shape societal attitudes, beliefs, and values. Additionally, it addresses the applied significance for graphic design practitioners in aligning their work with dystopian concepts. The study specifically examines how NETFLEX leverages technical advancements in the industry to enhance dystopian themes in movie poster design, suggesting that these organizations strategically plan their visual communication to provoke public discourse. The findings indicate a managerial policy for design companies to effectively present ideas that challenge public opinion, especially regarding dystopia. This research fills a knowledge gap by providing insights into the intersection of graphic design and dystopian themes, aiming to enhance both theoretical understanding and practical application in the field.

References

[1] K. Shiaa, *Utopia as a Critical Criterion*, edited by S. Najm, 1st ed., Iraq: Dar Al-Mada for Culture and Publishing, 2012, pp. 31.
[2] A. Al-Mutawakkil, *Discourse and Characteristics of the Arabic Language*, Rabat, Morocco: Dar Al-Aman, 2010, pp. 53.
[3] A. B. Al-Sheikh, "Scenes of Dystopia in the Novel Jamaliyah Arabia: A Literary Study," Al-Allama Magazine, vol. 6, pp. 65, 2018.
[4] Al-Farabi, *The Opinions of the People of the Virtuous City and Their Opponents*, Beirut, Lebanon: Al-Mashreq, 1986, pp. 29.
[5] M. Religious Science, *The Photograph in Media Magazines*, Baghdad, Iraq, 2003, pp. 39-40.
[6] E. Cioran, *History and Utopia*, Beirut, Lebanon: Dar Al-Jamal for Publishing and Distribution, 2011, pp. 32.
[7] A. A. Razzaq, "The Duality of Utopia and Dystopia in the Iraqi Novel: A Semiotic Study," Journal of Arts, Iraq, vol. 2015, pp. 33.
[8] Al-Ashry, "On the Concept of Utopia and Dystopia: An Introduction to Inspiration in Contemporary Photography," Journal of Education and Arts, Egypt, 2020.
[9] A. Abdel Majeed, "The Equivalent Meaning of News and Revelation in Pen Dialogues," M.S. thesis, College of Fine Arts, University of Baghdad, Baghdad, Iraq, 2000, pp. 28.
[10] A. Al-Hussami, *Imagining Dystopia in Novel Discourse*, vol. 1, Amman, Jordan: Kunooz Publishing House, 2022, pp. 98.
[11] A. A. Murad, *The Dystopia of Nightmares of Corrupt Cities in Literature and Art*, Baghdad, Iraq: Dijlah Academic House, 2021, pp. 20.
[12] A. H. Ghali, "Dystopia and Its Manifestations in Arab Theater," Ph.D. dissertation, College of Fine Arts, University of Babylon, Babylon, Iraq, 2019, pp. 82.
[13] J. Nakarsh, "The Appearance of Dystopia in the Modern Iraqi Novel," Journal of the Iranian Society for Arabic Language and Literature, no. 61, pp. 286, 2022.
[14] K. Dydo, *Polish Film Poster*, Krakow, Poland, Czerwiec-Lipiec, 1996, pp. 39.
[15] U. Eco, *The Reader in the Story*, 1st ed., Morocco: Arab Cultural Centre, 1996, pp. 314.
[16] G. K. Mashfi, "The Poetics of the City in the Contemporary Iraqi Theatrical Text," Ph.D. dissertation, College of Fine Arts, University of Baghdad, Baghdad, Iraq, 2021, pp. 51.